James Feddeck returns to the Copenhagen Philharmonic on August 5, 2018 for a program called “Hungarian Tones” at Tivoli Concert Hall.

The concert opens with Tzigane, Maurice Ravel’s evocative gypsy rhapsody and Pablo de Sarasate’s Zigeunerweisen (“Gypsy Airs”), in collaboration with violinist Arabella Steinbacher, followed by a suite of Johannes Brahms’ colorful Hungarian Dances.

In the second half, Feddeck leads the orchestra in the five-movement Concerto for Orchestra, first penned by the celebrated Hungarian composer, Béla Bartók 75-years ago (August 1943). It was premiered the following year in the United States by the Boston Symphony Orchestra and has since remained a well-loved and popular work in the core orchestral repertoire.

For more information about the Copenhagen Philharmonic and this performance at the Tivoli Festival please visit: Copenhagen Philharmonic Orchestra.

PROGRAM
Maurice Ravel: Tzigane
   Arabella Steinbacher, violin
Johannes Brahms: Hungarian Dances (selections)
Pablo de Sarasate: Zigeunerweisen, Op. 20
   Arabella Steinbacher, violin
Béla Bartók: Concerto for Orchestra

On June 15, 2018, James Feddeck received the Sapere Aude Award from Thornton-Donovan School in recognition "for his intellectual and spiritual gifts and through his music generously enriching the lives of those in America and around the world."

Now in its 118th year, Thornton-Donovan is one of New York's premier independent academies with an interdisciplinary and international educational focus devoted to cross-cultural learning, community responsibility, and global citizenship.

The phrase, Sapere Aude, (Latin for "dare to be wise"), originates from the Epistularum liber primus of Horace and was a motto later embraced by the philosopher, Immanuel Kant to express the ideals of Enlightenment.

This award is given biennially for exemplary achievement and commitment to education and culture.

James Feddeck returns to the U.K. and the Bournemouth Symphony Orchestra in a program of works by Britten, Dvorak, and Richard Strauss.

The concert is available for on-demand listening via BBC Radio 3 (click to listen).
(available until May 25, 2018)

PROGRAM
Benjamin Britten: Four Sea Interludes from Peter Grimes
Antonín Dvorák: Concerto for Violoncello in B minor, Op. 104
   Daniel Müller-Schott, cello
Richard Strauss: Tod und Verklärung, Op. 24

James Feddeck leads the Orchestre National de Belgique in Germany for concerts at Frankfurt's Alte Oper on March 24 and the Kurhaus in Wiesbaden on March 27.

These performances continue his ongoing relationship with the Belgian National Orchestra following performances of Bruckner's Fifth Symphony in Brussels and Germany last season.

The March 2018 performances feature Dvorak's Symphony No. 7, the Oberon Overture of Weber and the Tchaikovsky Violin Concerto with Ray Chen as soloist.


About the Belgian National Orchestra.

James Feddeck’s Paris debut with the Orchestre National de France is available to watch on-line via ARTE TV.

This performance was recorded live at the Maison de la Radio in Paris on January 25, 2018 and features works of J.S. Bach/Webern and Sergei Rachmaninoff.

Click here to watch.

PROGRAM AVAILABLE FOR VIEWING:
Johann Sebastian Bach/Anton Webern: Ricercare (No. 2 from Musical Offering)
Sergei Rachmaninoff: Symphony No. 2 in E minor, Op. 27

James Feddeck continues the 2017-18 concert season with debuts in Paris, London, and Barcelona.

On January 25, he leads the Orchestre National de France at the Maison de la Radio in Paris for a concert that features Rachmaninoff's Second Symphony, Anton Webern's orchestration of J.S. Bach's Ricercare from The Musical Offering and Hindemith's Violin Concerto (1939) with Arabella Steinbacher as soloist.

This concert will be video simulcast live via ARTE TV and radio broadcast through France Musique.

The following week, February 2, 3, and 4, he conducts Elgar's treasured First Symphony and partners again with clarinettist Martin Fröst (Anders Hillborg's "Peacock tales") at Barcelona's L'Auditori with the Orquestra Simfònica de Barcelona. The February 4 performance will be broadcast live via Catalunya Música/Radio Clàssica.

And on February 9, he joins the BBC Symphony Orchestra at London's Barbican Centre for a program which includes Mussorgsky's Pictures at an Exhibition and Samuel Barber's masterful First Symphony (1936). After recording with the BBC Symphony concert works of William Sterndale Bennett (1816-1875) in November 2014, Mr. Feddeck now makes his official Barbican debut with this performance.

James Feddeck’s debut with the Royal Liverpool Philharmonic Orchestra has been featured on BBC Radio 3 and is available for on-demand Internet streaming:

Click here to listen.
(available until November 21, 2017)

This broadcast, recorded live on Thursday, 19 October, 2017 at Liverpool’s Philharmonic Hall, features Gustav Holst’s The Planets with Leonard Bernstein’s suite of music composed for the 1954 Academy Award-winning film, On the Waterfront.

Specially featured on the program is Aaron Jay Kernis’ Legacy (concerto for solo horn, strings, harp and percussion) performed by Timothy Jackson (horn principal, RLPO).  James Feddeck leads this European premiere, co-commissioned between the Royal Liverpool Philharmonic and the Grant Park Music Festival.

PROGRAM
Leonard Bernstein: On the Waterfront
Aaron Jay Kernis: Legacy
   Timothy Jackson, French Horn
Gustav Holst: The Planets

James Feddeck leads the Dallas Symphony Orchestra on September 28, 30, and October 1, 2017 in a program which features Beethoven's Eroica Symphony and Emperor Concerto with pianist, Rudolf Buchbinder.

This concert is available for listening via the Dallas Symphony Orchestra website on-demand: click here and select "DSO Broadcast #2".

The Symphony Op. 42 and Overtures of Georg Schumann were released in August 2017: a collaboration between James Feddeck and the Deutsche Symphonie-Orchester Berlin in partnership with Deutschlandfunk Kultur, the CPO record label, and the Georg Schumann Gesellschaft. It was recorded in the historic Haus des Rundfunks at Rundfunk Berlin-Brandenburg.

Georg Schumann (1866-1952) was an influential figure in European musical life through his work as a conductor in Danzig and Bremen, and further in his capacity as director of the renowned Sing-Akademie of Berlin. He is often considered today for his choral compositions, but his position as director at this critical cultural intersection for European musical life offered a unique vantage point to encounter the leading active musical figures: Liszt, Rubinstein, Brahms, Arthur Nikisch, Mahler, Felix Weingartner, Joseph Joachim, and Max Bruch, which influenced his work as a performer and composer.

This recording marks the first-ever to be made of the Opus 42 F minor symphony (1905). This symphony enjoyed significant endorsements from leading conductors of its day, from the premiere in Berlin with conductor Felix Weingartner, touring performances in Europe, and to prominent attention in the United States including Boston and New York.

It is the intention of this recording to offer a renewed visibility to this symphony and its composer.

The album is completed with two of Georg Schumann's charming character overtures, the Overture to a Drama, Opus 45 and the "Lebensfreude" Overture, Opus 54.

For more information: Georg Schumann Gesellschaft, Berlin.

Ordering information.

James Feddeck will conduct a benefit concert on Friday, 8 September, the aim of which is to raise funds for the American Red Cross' work in support of those affected by the devastating hurricanes this month.  Musicians of the Cleveland Orchestra will be joined by students from Cleveland Institute of Music, Oberlin Conservatory of Music and Credo Music.  All musicians involved are donating their time.

Further information.

In June 2017, James Feddeck begins a five-city concert tour with the New Zealand Symphony Orchestra in a Brahms/Barber program which also features the Schumann Cello Concerto played by Daniel Müller-Schott. The tour which spans two weeks includes five cities: Hamilton, Auckland, Wellington, Blenheim, and Christchurch.

Following the Christchurch performance, he travels to Hobart, Tasmania for the world premiere of Maria Grenfell's Spirals with the Tasmanian Symphony Orchestra.  This new work for solo clarinet, bassoon and orchestra (performed by Tasmanian Symphony Orchestra principal players, Andrew Seymour and Tahnee van Herk), was conceived as a companion piece to Richard Strauss' Duett-Concertino, also performed on this program.  These clarinet-bassoon centerpieces are framed by Schubert's Unfinished Symphony and Aaron Copland's Appalachian Spring Suite.

In July, he tours with the Belgian National Orchestra in Wiesbaden, Germany to perform Bruckner's Symphony No. 5 (this follows their acclaimed Brussels performance in December 2016) and in March 2018, their performances continue in the German cities of Mannheim, Regensburg, Essen, and Frankfurt.